Yes, that is the name of a Kanye West album and yes it is the most fitting summary of this tragicomedy film set 300 years ago, bristling with outstanding performances and razor sharp writing.
Olivia Coleman, playing Queen Anne, has already picked up a Golden Globe for her portrayal of the disease-ridden, depressed, overweight and childlike monarch, while Emma Stone and Rachael Weisz have also enjoyed lavish praise for their own performances.
The film shows Stone and Weisz, contest for the favour of the mentally and physically fragile Queen, something which starts out as a game that the Monarch seems to enjoy, but quickly becomes much more sinister and damaging.
That’s not to say that the film forgets to be funny halfway through, it simply combines its humor with the steady increase of suffering felt by Queen Anne.
As these moments arrive, the Queen’s erratic and sorrowful behaviour makes more sense, changing the perception of her as a spoilt child, to somebody who is tragically damaged, isolated and in need of real support.
Unfortunately, it never comes.
Instead, she is seen as something to be toyed with and used the younger and more bloodthirsty women circling below.
Yorgos Lanthimos, Director of the weirdly wonderful ‘The Lobster’ and ‘Dogtooth’, toys with his audience, making you want to back the schemes of Abigail (Stone), while hating the imperialistic dominatrix, Lady Sarah (Weisz), until the tables turn and sympathies switch three quarters into the film.
The music employed is similar to the otherworldly and sinister score from ‘Under the Skin’, ramping up the dreamlike quality of the film while building tension with scratching violin and slow drum beats throughout.
The camera work also delivers a feeling of surrealism as it swings and flips in ways that simply don’t feel natural for a ‘costume drama’.
There are several lingering extreme close-ups on Abigail, Anne and Lady Sarah at key points which draws the audience even closer into their tangled world of lies and deception.
The Favourite is sure to enjoy a strong run over the next few weeks and it deserves to enjoy all of the success and coverage that it is currently receiving.
Many of the articles and stories are revolving around the performance of Olivia Coleman, but the performances of Emma Stone and Rachael Weisz are equally outstanding and it’s likely that most people will have different opinions on who is best, something that couldn’t be better for the success of a film.